For a low cost upgrade of $320.00 you get a set of 3 boutique hand scatter wound 1959 Pre-CBS pickups in a fully Loaded Pickguard with top of the line electronics. CTS pots, CRL 5-Way, 047 cap and comes with a new switchcraft guitat jack. Your choice of 5 pickguard colors, Mint Green, Black, White, Red Tortoise and Vintage Brown Tortoise. Comes with a complete Fender Aged White Accessory kit includes all Pickup Covers and Knobs, 5-Way tip, Tremolo Tip, Tremolo cover and new Switchcraft guitar jack. Returning customers receive a loyalty discount of 10% off for $288.00 with free shipping to the lower 48.    Demo at the bottom.

About this Listing

M.I.E. Music " Music is Everything "

The 1959 pickups were used by SRV in his Number # 1 guitar. A 1963 Body with a 1962 Neck , loaded with Pre-CBS 1959 Hand/Scatter wound pickups. There are so many after-market 1959 pickups, so this was my most Beta tested pickup to date. I chased the stories, myths and rumors and went down the rabbit hole. I am very proud of the final results and you will too. These 1959's are brand new for 2025 and join the rest of my Pre-CBS models, 1954's ,-57/62's (5060VF) and my best selling 1963's.

SRV followed the late great Jimi Hendrix and the influences are unbelievable as he added his own gift of style to the Stratocaster and stage performance. I have included a demo done clean on an AC-30 to show what you could add with pedals and a overdriven amp. I may add a Marshall version down the road.

1959 Custom Hand/Scatter Wound Boutique Pickups in a loaded 5-way pickguard. With a RWRP Middle Pickup and Beveled and Staggered magnets. These pickups come with a complete Fender PN# 0991368000- Aged White accessory kit. It includes Pickup Covers, All 3 knobs, 5-Way Tip, Tremolo arm Tip and Tremolo back cover. All electronics are Fender CTS. pots, CRL 5-way switch and 047 Orange drop cap with Vintage push back cloth wire and includes a new guitar jack. My stock pickguard colors are White, Black, Mint Green, Red Tortoise or Vintage Tortoise Brown.

These pickups can average on the low side of 5.85k to the High of 6.05 The Henries was 3.00 and under. This was going through numerous 1959's including my own.

I specialize only in Vintage Stratocaster Pickups and for years now my Hand Wound Vintage tone pickups, magnifies the harmonics, the incidentals, the upper octaves, the fifths and the relationship of the pick to index finger strikes while maintaining strong sustained fundamental tone and real clarity. Most of my favorite Vintage Fender pickups have a little bulge in the middle and not the flat sides you see in CNC machined pickups. I added the bulge to replicate my Vintage pickups.

  Detailed pickup information below: The main reason Fender vintage guitars are so sought after is the Tone . That Tone came from Hand Wound Pickups. I have a full demo channel on YouTube: miemusicjobe4423 ,I have nothing but 5 star reviews on my pickups on all of my selling sites and a high rate of returning buyers.

1959 Pre-CBS Black Bobbin: 

Specs:  Averages
Tested at 77 degrees and 42% humidity, +/- 5% on a DER EE LCR DE-5000 , this LCR tester has a usb output that you can save on your PC in Microsoft . This gives me a record of every pickup I have made and sold. My 1959 Pre CBS pickups average at 5.85k to 6.05k and 3.0 and under on Henries.

Modifications: RWRP middle Pickup and 5-Way switch .

My Assembly Steps:

1-  I install the Alnico 5 Rod Magnets into the flatwork, using a Pickup Jig on an Arbor Press.

2-  I dip the finished bobbin in Lacquer.  This does four things, #1 It keeps the coil wire from shorting out directly onto the magnet. This is where 90% of Vintage Fender Pickups fail. The coil wire rubbing against the magnets. This glues the flatwork to the magnets, eliminating the use of super glue. Dry time varies.  24 hours average. I also Flux/Solder the start and finish wires on the bobbin.

3-  Pickup Winding-I use a MojoTone Pickup Winder.  Varying my patterns and wire tension and proprietary way that I've developed,  coming from months of hand on research and beta testing.

4-  I install lead Vintage Push Back Cloth Wires directly to the pickups.

5-  Perform the initial testing. k ohms, henries, and nf capacitance @1k and rp @1k

6-  Waxing- I use 80% Paraffin and 20% Beeswax. Heated to 140-150 degrees for 10-15 minutes for the perfect response and clarity. The Beeswax keeps the wax soft so it doesn't dry up, crack and get flaky down the road with time.

7-  I wrap the coil with fabric tape for Four reasons:  #1  It cuts down the chances of damaging the coil when changing pickup covers.  #2  Helps stop high gain monophonic feedback.  The tape has zero effect on tone. #3 Keeps out moisture, Just an added protection and expense of building a long lasting reliable pickup. # 4 Some guitarist while recording will sit in the control room with the amp in the ISO room, while others like to sit or stand by their amp. I started to notice that most Gibson guitars did not have that high squeal and after checking, those guitars had fabric tape on the pickups. So I put some Fabric tape on a few of my Strats and was floored that this worked. Back in the 50's there was really no need for it because the amps was not as high powered as today's. Leo was a known tight wad and maybe he didn't want to add to the time and expense? No change in tone.

8-  Perform second round of testing, confirming the correct specifications are met.

9-  Charge magnets.  I use a MoJoTone  N/S Charger.  I  fully  charge all rod magnets Once sold. I test the Gauss on a Tesla meter making sure of a even smooth charge across each magnet. Then I put the lead wires through the Flatware hole. I retest the polarity of the pickups which are North for the Neck and Bridge and South for the RWRP Middle pickup with a small hand tester.

10-  Assemble and solder Pickguard. I have a 5 way template finished and all I have to do is solder in the pickups you choose, and how you would like the 5 way tone knobs wired. I will wire your preference on your 5-way switch. This is my Stock way of wiring the 5-way. Tone 1 Neck and Middle -Tone 2 Bridge only.

I been playing Strats for over 50 years and have a pretty good idea of how a Vintage Strat should sound. I am also sure many of you also know. Polls show 80% of the Strat players are happy with their tone. I am after that 20% very picky players. I would love to have orders from that 80% to show them what they are missing and what a low cost upgrade can do for their guitar and the enjoyment these pickups can bring.

These pickups are made one at a time, by me, in my small USA shop. I use USA Remington wire and have made my pickups as affordable as possible, using the highest quality parts from top USA suppliers. My pickups have that true vintage tone that only fine made hand/scatter wound pickups can bring. All my pickups are vintage spec'd to the correct pre CBS or early CBS years.

My pickups are made to last, and come from the result of listening to my vintage guitar collection, and taking apart a bucket full of DEAD Fender pickups, studying them, painstakingly un-winding them, and taking very detailed notes. This is how I came up with my proprietary way of hand winding my pickups. I started BETA testing in 2020 on every kind of neck and body wood made. Plus tested on tube and solid state amps, pedals, digital devices, and software in my recording studio, that I opened in 1999, with fantastic results.

I have built numerous partcasters, and have installed my pickups, and they are highly comparable to my vintage collection. I am receiving great reviews and feedback from all the guitar players currently using my pickups.

"enjoy peace of mind with your new gear."

The work has been done, so install, and you will find complete nirvana for recording and playing live.

Jobe Jude MIE MUSIC "Music is Everything"

Thank you for supporting a small USA company. jj